Once you hear the detail and translation you won’t regret it! Sound-wise the 8-inch cone woofer is coupled with a 1-inch dome tweeter. 54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification ROOM CONTROL and HIGH TRIM response controls Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. This is something I really needed; a way to check my bass levels without walking to the back of the room. The HS8 weighs 22.5 pounds and consumes 60 watts of power. Anechoic chamber measurements are useful to find out the raw performance of a speaker, but usually they won’t tell much about what to expect once you put it in a real studio control room. To make what could be a long story, short, the HS5s were very midrange forward and almost brash whereas with the HS7, the highs and mids were clearly there but not over emphasized. In our case, there is a very slight (but especially important) difference between the Yamaha HS7 vs HS8: the HS7 has a Frequency Response of 43Hz – 30kHz, and the HS8 has a Frequency Response of 38Hz – 30kHz. Mid Eq and Low Cut have been removed on the HS8's. Looking at the frequency response diagram of the HS8 closely, the most noticeable deviation is a 6-dB dip around 2 kHz. I'm very happy with how these sound, both because they sound really good and because they sound exactly the kind of different from my LSR32's that I needed. From the standards like Yamaha’s NS10 and Makie’s Hr824 to the more recent Focal offerings as well as Bowers and Wilkins, there is a lot of variety out there, and the process of finding the right monitor for you can be an arduous process. Bob G. Information Glad they fixed that one. It's certainly not concert loud, but it's louder than I'd ever use for mixing, and it's loud enough for clients to hear their music "cranked." Built-in filters and level control. While the JBL LSR308 tops off at 24 kHz, the Yamaha HS8 is able to provide frequency response to a max value of 30 kHz. Especially with this setup, the HS8 outperforms other monitors I’ve heard in its price range. A number of design elements were used to reduce resonance, noise and diffractive effects in the HS8’s cabinet, which measures 9.8×15.4×13.1 inches (WxHxD). The hallmark of the HS Series monitors has always been that they provide extraordinary clarity with shelf-top placement, and the new HS8 is no exception. Luckily for me, I have a very patient gear representative, and we were able to land on a set, that over the last few months, I have really grown to understand and don’t know what I would do without. Both speaker-makers publish spec-sheets that would indicate they're both pretty flat, at least in the 40hz to 18khz range. Though there is a lot of weight placed upon the room in which you work, there is a lot that a great set of monitors can do for you with proper placement. These speakers Yamaha HS8 is the new version of the 7 year old HS80M used by many as a tool for mixing music or just listening to music as i do with the new HS8. I Compared them to a pair of Adam A8X's and while the A8X's sounded a little "crisper" and "Clearer" Yamaha HS7 vs HS8: Frequency Response. I found the HF trim particularly useful as my first two mixes came out a little bright for my tastes so a 2dB bump at 2kHz made me a bit more aware of this, and every mix since has been spot on. And if you’re in the market, make sure that these great monitors are a consideration. With its 38Hz to 30kHz frequency response, the HS8 can accurately play low, middle and high tones. Equal volume of highs, lows, or mids? Update your browser to view this website correctly. A 1-inch tweeter handles the mid and high end. Yamaha HS8 Review. 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response 75W LF plus 45W HF bi-amp system for high-performance 120W power amplification ROOM CONTROL and HIGH TRIM response controls These high and low drivers combine to give you audio with a wide frequency range. The HS7 is a newer mid sized (6.5" Cone Woofer) which is closer to NS10 ( the classic studio monitor ) With both setups, I never felt a need to goose the HS8’s High Trim control; the high-frequency detail this monitor provides is superb. Most surprising was the total absence of flabbiness in the bass band I’ve come to expect from monitors that employ a bass reflex port. … Room control and high-trim response controls give you optimum response in any room. The larger and heavier design of the Yamaha HS8 compared to the HS7 could partly be attributed to the heavy bass that comes from it. So one of them, or both of them, can't be "flat." A 75-watt amp drives the woofer, which is protected by a built-in limiter, while a 45W amp juices the tweeter. Despite its compact size, the Yamaha HS8 looks exceptionally attractive. (Recoil Stabilizers decouple monitors from shelves, dramatically improving imaging and impulse response.) The most impressing thing I found while using these speakers for the last 2-3 months is the accuracy of the stereo image and the detail you can hear in the bottom without a sub! It was because of their transparency - if your mix sounded good on the NS 10's, it would sound good on anything! One of the primary features that make the Yamaha HS8 stand out is its higher frequency response rate. The waveguide’s considerable thickness minimizes distortion-birthing vibration. If you want to use them for professional use or just to listen to music they will do the job, they are bang for the buck, big speaker where you don't need a subwoofer, lots of power and most importent good sound for a resonable price. I went with overall subjectively approximately equal volume. I like them both, in different ways. A three-way High Trim switch boosts or attenuates response 2 dB above 2 kHz—the drivers’ crossover frequency—and alternatively provides a null (0dB) setting. -Updated Drivers (New Tweeter {30khz} and Woofer). Other deviations do not exceed 1 dB according to the stated indicators. Impressive 38Hz to 30kHz frequency response. either way great deal. I am not big on skimping on gear, so I was prepared to make a bigger purchase if necessary but for the price it was a no brainer to take them home for a test run. I was looking for a set of nearfields for reality checks while mixing. Yamaha HS 8's are designed after the highly sought after and widely popular NS 10's. My personal goal in this is to replace my KRK Rokit 5’s (V1) as they do not/never did provide the clarity I need for mixing (very muddied in the Mids and very little clarity in the Lows). Frequency response: 46 Hz – 24 kHz* Yamaha’s HS series are seen by some as the long-awaited successor to the company’s ubiquitous NS10M studio monitors, which came onto the market way back in 1978 and can still be found in countless commercial studios to this day. The frequency response was spot on and the mix turned out great. After activating a 2dB cut below 500 Hz using the Room Control filter on each monitor, the imaging and transient response became positively outstanding, and the upper-bass and low-midrange bands sounded crystal-clear. Frequency Response. ----------------------------------------------- With the HS8's highs flat, they're fatiguing at medium volume. I engaged the HS8's -2db switch on the highs, to make them match my LSR32's better, but the HS8's are still brighter. How's that for scientific? The low mid, 120Hz-250Hz is present and the ability to hear the mud around 300Hz is crucial to getting a great mix. In fact, even using a flat Room Control setting, you’ll need a subwoofer to be able to accurately assess what’s happening in the bottom octave (from 20 to 40 Hz) of your mix; this is true for virtually all near-field monitors. My room is treated and the speakers are about three feet from the wall so to this day I have not had to use the room control. emphasized with the HS8 where it was clear and apparent in the HS7 but not emphasized. A heat sink (for the amplifiers), rocker-style power switch and IEC power receptacle round out the rear panel. This is where things get a bit tricky as I was able to test these in an environment that I was familiar with, so your first impressions may differ. Add superb transient response, imaging and depth and tight bass reproduction to its list of attributes, and the verdict can only be two thumbs up. The Lows are certainly more tame than the HS80's. This scoop makes the HS8's sound awesomely clean and clear--too clean and clear, and I couldn't use them as primary monitors for this reason. What is "flat"? But they sound great, and closer to what I think most consumers think is "great." Listening back to my mastered mixes with the HS8s’ filters nulled, imaging was very good and the spectral balance very even, save for mildly understated sibilance and a slight buildup in the upper-bass and low-midrange bands. I bought the HS8's based on reviews and had not heard them before. They have a level adjustment on the back as well as room adjustment and high trim (although I found I did not need to change either of these settings). In fact, the HS8 still produced outstanding imaging, transient response and high-frequency detail with the High Trim control adjusted to attenuate response 2 dB above 2 kHz (with the Room Control filter also in the -2dB position); the sound just had a little less air and depth. All the monitors are almost up against my back wall, at an angle pointing at my mix position. The monitors themselves are actually on the cheaper side of things retailing for $349-$399 each. I took them home for the week after battling over some of the other options; Adam A7X, Equator D8 and the Presonus Scepter S8. You also have Kevlar drivers which are among the best in the industry. The frequency range is between 38Hz and 30 kHz, so all the details will be captured, allowing you to enjoy a clear audio image with all the details in the sound. I got my HS8's this afternoon and have been A/B'ing them with my main monitors--JBL LSR32's--for a few hours on reference material and my own mixes. The HS8’s frequency response is stated to be 47 Hz to 24 kHz, -3 dB, with 10dB down points at 38 Hz and 30 kHz. *Although I did not hear any of them with the new Yamaha HS8S Subwoofer, I can imagine how nice it would be to add it to the HS7s as opposed to the HS5s. The XLR connector and TRS phone jack input connections are both balanced, but the latter can accept unbalanced signals. We brought the Yamaha HS5 to our anechoic chamber to get an idea about its frequency response and distortion characteristics. Still, it's a clean high on the HS8 that I think will help me spot mistakes in my high eq. Michael Cooper is a recording, mix, mastering and post-production engineer and the owner of Michael Cooper Recording in Sisters, Oregon. Yamaha, and especially the HS8 monitor, has been a longstanding favorite with many musicians and producers over the years. I used Emu 1616, Radio shack analog SLM and yamaha HS80m when I mesaured the frequency response in my living room, I hold SLM 4.5inch away from the mid Itfeatures a Graphic EQ with 25 settings to adjust your acousticenvironment. I have even found that musicians that do their own recordings tend to have better tracks if they have great monitoring in a well-treated space. By By Michael Cooper I could clearly hear fundamental tones produced by a four-string electric bass down to about an F# on the low string, below which notes were audible but understated. Recommendation on what to buy. That's what I needed. ---------------------------------------------------- The audibility of the HS8 low end is true even at low volume. The HS8s sounded really “great” over all and similar in nature to some degree with my M-Audio BX8as in the Low-End Arena. The HS8's sound scooped to me, especially in the problematic 250hz-400hz range. Pick one. Room Control The HS 8's deliver a clean flat tone without the need for an additional subwoofer to hear the lows. The high-performance drivers include an 8” woofer and a 1” tweeter. If the lead vocal is the last element of the mix to go silent, you can be certain it won’t sound too low on any reasonably good system. Some may think $800 is a lot for a pair of monitors, but considering the competition (which can cost several thousand dollars per speaker), I was relieved to love them as much as I do now. If deep subby bass is necessary for you, maybe consider buying an HS8S Subwoofer to go with the pair. 22Hz - 150Hz frequency response High-power 150W amplifier exclusively designed for low frequencies LOW CUT switch, LOW CUT control (80-120Hz) HIGH CUT control (80-120 Hz) PHASE switch allow users to set up a subwoofer system with simple connections and no additional equipment (Yamaha’s new HS8S subwoofer can vary its high-cut corner frequency from 80 to 120 Hz.) The old HS80M which i never have owned (heard them many times) is a speaker that can be a bit agressive in the upper midrange lower tweeter and there for could be a bit fattigue where the smaller HS50M where to me more fattigue then the HS80M. Obviously this is not what I wanted for the studio but maybe for the living room. The highs aren't so "spicy" or "noisy", they sound very "crisp" without sounding noisy or annoying. They are bi-amplified with 120W of total power, sporting a gain control on the rear, along with a room control and a HF trim control which cuts or boosts 2dB at 2kHz. What does that even mean when it comes to sound? Hs8 - 12.5 kg Hs80-13.2 kg-----Better Frequency Response HS8: 38Hz - 30kHz HS80m: 42Hz - 20kHz-Updated Drivers (New Tweeter {30khz} and Woofer). Nevertheless, Yamaha saw room for improvement. Yamaha HS5 vs Yamaha HS7 . 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response. The LSR32's have 12" woofers that reach pretty darn low, but in my normal mix position in a 6' equilateral triangle, the lows (and especially the really low lows) don't seem to have enough space to build, and I have trouble hearing them. What’s more, the frequency response of HS8 is more stable than HS7, as we can see in the above graph. The first, most apparent difference is that the HS8's bass appears louder in the nearfield position, and emphasizes the upper bass. I've lived with my LSR32's for 15 years. However, there are still some things that will help you make your decision in this area. To put my thoughts into context, prior to my purchase I was mixing on a pair of Dynaudio BM-5As and was looking for a larger speaker for the new, bigger room. In fact, on a mix I've been working on, the HS8's helped me realize I'd set the slight boost on the high freq's on my 2-buss eq at the wrong freq (16khz, should have been 12khz, with a wider Q). 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